Santa Barbara Music Club

French-German

Saturday, March 19, 2016 3:00 pm

Faulkner Gallery

40 E Anapamu St, Santa Barbara, CA, 93101

Image: Claude Debussy

On SATURDAY, MARCH 19 at 3 p.m. the SANTA BARBARA MUSIC CLUB will present another program in its popular series of concerts of beautiful Classical music at Faulkner Gallery in the downtown Public Library.

The program opens with a fine adaptation of a popular orchestral work: Michael Webster’s attractive arrangement of Claude Debussy’s Prélude à l’après-midi d’un faune (Prelude to the Afternoon of a Faun), interpreted by flutist Andrea Di Maggio, clarinetist Joanne Kim, and pianist Neil Di Maggio. Next, pianist Donna Massello-Chiacos will interpret five intriguing compositions by French composers. The program will conclude with the Sonata No. 8 in G major, Op. 30, No. 3 by Ludwig van Beethoven, performed by violinist Han Soo Kim and pianist Neil Di Maggio.

Program Details

Prélude à l’après-midi d’un faune
(Prelude to the Afternoon of a Faun)
Claude Debussy
(1862-1918)
Arr. Michael Webster
Andrea Di Maggio, flute
Joanne Kim, clarinet
Neil Di Maggio, piano
Danceuses de Delphes (Dancers of Delphi), from Préludes, Bk. I
Claude Debussy
Gnossienne #3, from Three Gnossiennes
Erik Satie
(1866-1925)
Le rappel des oiseaux (Roll-call of the Birds)
Jean Phillipe Rameau
(1683-1764)
Oiseaux tristes (Sad Birds), from Miroirs
Maurice Ravel
(1875-1937)
Le petit âne blanc (The Little White Donkey), from Histoires
Jacques Ibert
(1890-1962)
Donna Massello-Chiacos, piano
Sonata No. 8 in G major, Op. 30, No. 3
Ludwig van Beethoven
(1770-1827)
  • Allegro assai
  • Tempo di minuetto, ma molto moderato e grazioso
  • Allegro vivace
Han Soo Kim, violin
Neil Di Maggio, piano

Notes on the Program

Notes on the Program

by Betty Oberacker

One of the highlights of Santa Barbara Music Club’s concerts is the opportunity for audiences to hear great music from a variety of historical periods, with a diversity of musical forms, performed by excellent artists.

The program opens with a fine adaptation of a popular orchestral work: Michael Webster’s attractive arrangement of Claude Debussy’s Prélude à l’après-midi d’un faune (Prelude to the Afternoon of a Faun), interpreted by flutist Andrea Di Maggio, clarinetist Joanne Kim, and pianist Neil Di Maggio. Inspired by the poem of the same name by Stéphane Mallarmé, Debussy commented thusly: “The music of this prelude is a very free illustration of Mallarmé’s beautiful poem. By no means does it claim to be a synthesis of it. Rather there is a succession of scenes through which pass the desires and dreams of the faun in the heat of the afternoon. Then, tired of pursuing the timorous flight of nymphs and naiads, he succumbs to intoxicating sleep, in which he can finally realize his dreams of possession in universal Nature.”

Next, pianist Donna Massello-Chiacos will interpret five intriguing compositions by French composers: Danceuses de Delphes (Dancers of Delphi) by Claude Debussy: a fanciful musical depiction of the graceful Pythian sculpture; Gnossienne # 3 by Erik Satie: replete with rhythmic, chordal, and formal experimentations; Le Rappel des oiseaux (Roll-call of the Birds) by Jean Philllipe Rameau: cuteness personified, utilizing birdsong imitations to create the effect of birds calling and responding to each other; Oiseaux tristes (Sad Birds) by Maurice Ravel: representing a lone bird whistling a sad tune, after which others join in; and Le petit âne blanc (The Little White Donkey) by Jacques Ibert: a charming and humorous staccato study. These works, though highly contrasting in compositional style and emotional effect, all exemplify the exquisite subtlety and elegant precision so characteristic of French artistic achievement.

The program will conclude with the Sonata No. 8 in G major, Op. 30, No. 3 by Ludwig van Beethoven, performed by violinist Han Soo Kim and pianist Neil Di Maggio. Composed in 1802, Beethoven was 32 years old and coming to terms with the terrible realization that he was growing deaf. This period in his life saw the creation of some of his most enduring and heroic compositions, including the Third (“Eroica”) and Fifth Symphonies and the “Waldstein” and “Appassionata’ Piano Sonatas. However, in completely contrasting manner, the sonata’s cheerful disposition eloquently disguises the inner struggles faced by its creator.

The first movement, Allegro assai, employs Beethoven’s signature touches: energetic, passionate flourishes overtly expressed, and unusual key relationships put to dramatic purpose. The Tempo di minuetto, ma molto moderato e grazioso unfolds from a rich, warm opening melody to an intimately elegant romantic affirmation. The Allegro vivace builds upon a rustic, folk-like rhythmic pattern that dances throughout the movement, highlighted by the composer’s trademark off-beat sforzandi (strikingly sharp accents) – severely criticized at the time, but now much enjoyed for their attractively piquant flavor.

The Performers

Andrea Di Maggio, Flutist, graduated from San Jose State University, summa cum laude, with a Bachelor of Music degree where she studied with Isabelle Chapuis. While attending Arizona State University, Andrea held a teaching position and worked with the undergraduate flute majors and music education students, and performed in faculty recitals. Studying with Jill Felber at the University of California, Santa Barbara, Andrea graduated with honors with a Masters Degree in Flute Performance. As flute instructor at Westmont College, she is a founding member of the woodwind quintet Sonos Montecito and a faculty member at the Westmont Academy of Young Artists. Andrea also maintains a small and competitive private flute studio, with students winning awards from the Santa Barbara Music Club, The Music Teachers Association of California, and the National Flute Association. Andrea performs on a Miyazawa flute.

Clarinetist Joanne Kim, has concertized as solo performer and chamber and orchestral musician in many parts of North America and Asia. Her performing career began in her late teens with the honorable Stamas Scholarship Fund from the New York Philharmonic offering her a new clarinet for her studies and concerts. She has performed with New York Soloist Ensemble, Toronto Symphony Orchestra, Korean Chamber Orchestra, Astoria Symphony, New Jersey Philharmonic Orchestra, Chelsea Symphony, and the Santa Barbara Symphony. Dr. Kim has earned her Doctor of Musical Arts in clarinet performance at Manhattan School of Music with a fellowship under the tutelage of Mark Nuccio. Her Bachelor of Music is from Mannes College, and Master of Music degree with merit scholarship in the prestigious Orchestral Performance Program is from Manhattan School of Music. Dr. Kim is on the faculty at Westmont College, Santa Barbara City College, Westmont Academy for Young Artists, and InterHarmony International Music Festival in Italy.

Neil Di Maggio, pianist, enjoys a dual career as solo and collaborative pianist and as a researcher for Westmont College. His performing career has taken him from California to Phoenix to New York City, and he recently served on the faculty of the Westmont Academy for Young Artists. He earned his BM Degree, summa cum laude, from San Jose State University, MM Degree from the San Francisco Conservatory, and MM Degree in Collaborative Piano from UCSB, studying with Paul Berkowitz Anne Epperson, and Yael Weiss. Currently Director of Research in the Office of College Advancement at Westmont, Neil maintains a private piano studio, and his students are frequent award winners with the Santa Barbara Music Club and the Performing Arts Scholarship Foundation competitions.

Han Soo Kim, violinist, is an award-winning and internationally accomplished artist who has performed to critical acclaim in numerous countries on four continents. Dr. Kim has concertized extensively as solo performer, duo-recitalist and chamber musician. In the United States, he has performed in some of the nation’s most prominent venues including Alice Tully Hall, Avery Fisher Hall, Boston Symphony Hall, Weill Recital Hall and Isaac Stern Auditorium at Carnegie Hall, Cutler Majestic Theater, Jordan Hall, Kaufmann Concert Hall, and The Kennedy Center. Performances have also led him to institutions and festivals including Académie Internationale de Courchevel, Boston Conservatory, Columbia University, Le Domaine Forget International Music Festival, The Juilliard School, Longy School of Music, Manhattan School of Music, Mannes College, Meadowmount School of Music, Morningside Music Bridge, Musicorda, New England Conservatory, and Stony Brook University. He has appeared as soloist with orchestras in the US and abroad performing standard concertos to contemporary world premieres. As a Promessa Records Artist he has released Encore Favori, a solo CD featuring a dozen encores and virtuosic showpieces, and will be recording the next album in 2021. He is Founder and the violinist of The Finehouse-Kim-Yhee Trio.
Dr. Kim has earned his Doctor of Musical Arts in violin performance under a fellowship grant. His Bachelor of Music and Master of Music degrees in violin performance are from The Juilliard School where he was a merit scholarship recipient. His influential teachers and mentors include Roman Totenberg, Sally Thomas, and Pamela Frank. He has worked with distinguished chamber music artists including Emerson, Guarneri, Juilliard, and Orion String Quartets. He is a Bella Rosins Artist and performs on a Carlo Antonio Testore of 1721. His CDs can be purchased at the Westmont College bookstore and hanjoannekim.com. In his spare time, he enjoys spending time with his wife, son Kian and dog Dolce, exploring restaurants in Santa Barbara, playing pool, and gardening.

Donna Massello-Chiacos, pianist, presents workshops internationally and teacher training programs nationally, and has held workshops in Taiwan, Canada, and throughout the United States. She received her BA Degree from UCSB, studying with Dr. Betty Oberacker, and earned her MA in Music Education with emphasis in Orff Schulwerk from the University of St. Thomas (Minnesota), also coaching with Dusi Mura in Santa Monica and performing in solo and chamber music master classes. A certified Orff Schulwerk specialist, she established Orff Schulwerk-based music programs in the Montessori Center and San Roque Schools, assisted in creating the Music Academy of the West’s MERIT Program, and served as the Program Coordinator for six years.