Santa Barbara Music Club

Awakenings: Celebrating the Voices of Women in Music

Saturday, Mar 8, 2025 3:00 pm

St. Andrew’s Presbyterian Church

4575 Auhay Dr., Santa Barbara, CA

Image: Cecile Chaminade by Unknown author, 1913 | Public Domain

As part of its 55 Year Anniversary year, the Music Club celebrates the accomplishments of women composers over the past two centuries. The program begins with Exigencies for cello and piano by Music Club president Leslie Hogan, performed by Virginia Kron, cello, with the composer at the piano. This is followed by violinist Nicole McKenzie and pianist Erin Bonski performing works by Lili Boulanger, Ruth Crawford, Cécile Chaminade, and Grażyna Bacewicz.

Program Details

Awakenings: Celebrating the Voices of Women in Music
Exigencies for cello and piano (2024)
Leslie Hogan
(b. 1964)
  • Intrada
  • Elegy
  • Atmospheric Rivers
  • October
  • The Year of Broken Bones
Virginia Kron, cello and Leslie Hogan, piano
Two Pieces for violin and piano (1914)
Lili Boulanger
(1893-1918)
  • I. Nocturne
Sonata for violin and piano (1926)
Ruth Crawford
(1901-1953)
  • Vibrante, agitato
  • Buoyant
  • Mistico, intenso
  • Allegro
Capriccio, Op. 18 (1890)
Cécile Chaminade
(1857-1944)
Oberek No. 1 (1949)
Grażyna Bacewicz
(1909-1969)
Nicole McKenzie, violin and Erin Bonski, piano

Notes on the Program

Exigencies, by Leslie Hogan

Premiered on the Ojai Art Center concert series on September 15, 2024, this five movement suite reflects the composer’s subjective experience of the 18 months beginning in January 2023 and ending in August 2024, when the work was finished.

The Performers

Virginia Kron, cellist, was hailed in the Los Angeles Times: “Accomplished cellist … has done her best to keep alive the music of our time” and by the Ventura County Reporter: “Virginia evoked a rich, dark tone from her 300 year-old instrument.” From her extensive career, of special note is her premiere of John Biggs’ Cello Concerto with the New West Symphony and subsequent recording with the Czech National Symphony, and most recently, her premiere of Jimmy Calire’s Jazzical Cello Sonata. Her original album, “The Crystal Harp,” evoked this tribute from the American Library Association Booklist Review: “This original humorous fantasy, written and performed by Virginia Kron, features clear, well-paced narration and delightful music.” She has a B.M. Degree from the University of Wisconsin and a M.M. Degree from USC, and has long been a pillar on cello at California’s Cabrillo Festival. A frequent collaborator with UCSB’s Ensemble for Contemporary Music with featured festival performances and recordings, her mastery of the music of our time is matched by recordings and concerts with noted Celtic harpist Kim Robertson.

Composer/pianist Leslie A. Hogan received her principal training at the University of Kansas and the University of Michigan. Her music often manifests her longtime fascination with other art forms and with the potential of music to reflect or respond to visual stimuli from the natural world. As a pianist, she has performed with UC Santa Barbara’s Ensemble for Contemporary Music and was a co-founder and frequent performer for the Current Sounds concert series in Santa Barbara. She was on the board of the Chamber Music Society of Santa Barbara for over a decade. She has received awards from the American Academy of Arts and Letters (Charles Ives Fellowship, 2002; Charles Ives Scholarship, 1993), the Rapido Composition Contest, the American Music Center, ASCAP, and the Chicago Civic Orchestra, among others. Dr. Hogan has taught composition in the College of Creative Studies at the University of California-Santa Barbara since 1995.

Nicole McKenzie, violinist, has performed widely as soloist and chamber musician. The Santa Barbara Independent declared, “McKenzie made a splash… she performed with gorgeous musicality.” Winner of the Sutton Chamber Music Award, she graduated from Interlochen Arts Academy, earned a BM degree from Oberlin Conservatory, an MM degree from Florida State University, and studied with Gary Kosloski at the Music Academy of the West. She has studied improvisation with Christian Howes. Ms. McKenzie is concertmaster of the Santa Barbara Folk Orchestra, and performs in the accordion/violin duo Continental Cafe. She played electric violin in M.O.B. Jazz Ensemble, and regularly concertized with renowned pianist, Betty Oberacker. She has taught music to students of all ages, and is currently the elementary music teacher for the Carpinteria School District. She has worked at UC Santa Barbara as a lecturer and as a music director and music performer in the Theater and Dance Department. She has created a collaborative dance and music improvisation group and has performed in various music styles including classical, jazz, folk, klezmer, and musical theater. She performs on a violin created for her by Michel Eggimann of Rome, Italy.

Erin Bonski, pianist, began her musical journey in Pennsylvania, where she studied with Dr. Tim Shafer at Penn State University while in high school, and became the youngest participant in the Pennsylvania Governor’s School for the Arts. Erin went on to earn her B.M. and M.M. degrees from Bowling Green State University in Ohio, and pursued doctoral studies at the University of California, Santa Barbara. A versatile artist, Erin has served as Staff Continuo player at the Oberlin Baroque Performance Institute, collaborative pianist at the Interlochen Center for the Arts, and as Chorusmaster and Repetiteur for Toledo Opera. Since moving to Santa Barbara, she has collaborated regularly with local arts organizations, including the Santa Barbara Symphony, Opera Santa Barbara, and Ensemble Theatre Company, and has performed internationally, including appearances with the Grammy-winning ensemble Forever Tango. Her academic career includes positions at Santa Barbara City College, the University of California, Santa Barbara, Westmont College and Bowling Green State University, where she has taught piano pedagogy, opera coaching, and piano literature.


This concert has been generously underwritten by the Henry W. Bull Foundation