Image: Emma Lou Diemer at the Organ
Emma Lou Diemer, the doyenne of Santa Barbara composers and inspiration to so many of us, passed away on June 2, 2024 at the age of 96. The Music Club celebrates her contributions with a concert of her works. Tachell Gerbert and Bradley Gregory, duo pianists, present two works: Norteamexispanicumsake and Variations for piano, four hands, Homage to Ravel, Schönberg and May Aufderheide. Kate Unger, soprano will present a selection of songs. Nicole McKenzie, violin and Erin Bonski, piano will play Before Spring, and the UCSB Chamber Choir, directed by Brent Wilson, will perform Three Madrigals based on text by William Shakespeare.
Program Details
All compositions by Emma Lou Diemer (1927-2024)
Text by Dorothy Parker (1893-1967)
John Ballerino, piano
Erin Bonski, piano
Text by William Shakespeare (1564-1616)
- 1. “O mistress mine” (Twelfth Night)
- 2. “Take o take those lips away” (Measure for Measure)
- 3. “Sigh no more ladies” (Much Ado About Nothing)
John Ballerino, accompanist
Notes on the Program
All works on the program are by Emma Lou Diemer.
Two pieces, Norteamexispanicumsake and Variations for piano, four hands: Homage to Ravel, Schönberg and May Aufderheide, will be performed by Tachell Gerbert and Bradley Gregory, pianists.
Norteamexispanicumsake, a celebratory work, was written in 1995 for for Gerbert and Gregory, students of Emma Lou Diemer. According to the composer, “It is a slightly shorter version of a work written for the Santa Barbara Symphony early in 1995 and titled ‘Santa Barbara Overture.’” The two-piano version retains most of the ideas found in the overture, and it is in the same jovial mood. As the title suggests, there are many elements at work in the music, everything from musical puns on Spanish and Mexican music, suggestions of ragtime filtered through a honky-tonk piano, pentatonic scale figures and much more.
Variations for Piano, Four Hands (Homage to Ravel, Schoenberg, and May Aufderheide) was written for Marjorie and Wendell Nelson in 1987. The work is an evocation of some of the sonorities and techniques possible with two performers at one keyboard. The composers in the subtitle are not imitated in any literal sense and were acknowledged after the music was written, as it brought to mind certain of their qualities and contributions to the spirit of piano writing. One finds echoes of Ravel’s Daphnis and Chloe in the blurred, broken-chord texture and melody fragments of the opening and closing sections of Variations. A 12-tone row (the theory courtesy of Schoenberg) serves as the basis of the entire piece in the form of a series of 12 chords, each of which lasts for several measures, and a series of pitches derived from the roots of those chords. May Aufderheide was a composer of rags in the early 1900’s, and her style contributes joviality and syncopation to the atmosphere.
Emma Lou Diemer wrote many songs, and this set features poetry by James Joyce, William Shakespeare, and Dorothy Parker.
Shall I compare thee to a Summer’s Day
text by William Shakespeare
from A Miscellany of Love Songs (No. 2)
Strings in the Earth and Air
text by James Joyce
from A Miscellany of Love Songs (No. 1)
One Perfect Rose
text by Dorothy Parker
from Four Songs (No, 3)
Comment (1996)
text by Dorothy Parker
from Four Songs (No. 4)
These four songs will be sung by Kate Unger, soprano, accompanied by pianist John Ballerino.
Before Spring was written in 1997 for violinist Stanley Hoffman and pianist Eddy Kronengold. The two-movement work reflects some of the suspense and anticipation of the full flowering of spring in Southern California. It was premiered in New York City during American Music Week in November of 1997. This piece will be performed by Nicole McKenzie, violin, and Erin Bonski, piano.
Three Madrigals for SATB and piano will be performed by the UCSB Chamber Choir, directed by Brent Wilson and accompanied by John Ballerino.
Composed in 1962 on texts by William Shakespeare, they differ from traditional madrigals in the use of the piano as accompaniment. The composer underscores the text in a slightly different way in each of the three movements, with contrasting tempos and textures. The texts are much loved passages from Twelfth Night, Measure for Measure, and Much Ado About Nothing.
The Performers
Composer, pianist, and organist Emma Lou Diemer is an active keyboard performer (piano, organ, harpsichord, synthesizer), and has given concerts of her own music at Washington National Cathedral, St. Mary’s Cathedral and Grace Cathedral in San Francisco, Cathedral of Our Lady of the Angels in Los Angeles, and elsewhere. She studied composition at the Yale Music School (BM, 1949; MM, 1950) and at the Eastman School of Music (Ph.D, 1960). She studied in Brussels, Belgium on a Fulbright Scholarship and spent two summers of composition study at the Berkshire Music Center. In 1971 she moved from the East Coast to teach composition and theory at the University of California, Santa Barbara, where she was instrumental in founding the electronic/computer music program. In 1991 she became Professor Emeritus at UCSB.
Tachell Gerbert and Bradley Gregory, duo pianists, have reputations as both concert performers and teachers, and established their piano teaching studio in Thousand Oaks in 1986. Prizewinners in the Performing Arts Scholarship Foundation Competition, they are active members of the Music Teachers’ Association of California (MTAC). They each received BM Degrees from the San Francisco Conservatory and MM Degrees from UCSB, with emphasis in piano ensemble. While studying at UCSB with Dr. Wendell Nelson they were introduced to the music of Emma Lou Diemer, as the Variations: Homage to Ravel, Schönberg, and May Aufderheide was written for Dr. Nelson and his wife Marjorie. Tachell and Bradley have performed this work in Italy and Japan as well as in the U.S., and in 1996 gave the premiere performance of Diemer’s duo piano work, Norteamexispanicumsake, which was composed for them.
Nicole McKenzie, violinist, has performed widely as soloist and chamber musician. The Santa Barbara Independent declared, “McKenzie made a splash… she performed with gorgeous musicality.” Winner of the Sutton Chamber Music Award, she graduated from Interlochen Arts Academy, earned a BM degree from Oberlin Conservatory, an MM degree from Florida State University, and studied with Gary Kosloski at the Music Academy of the West. She has studied improvisation with Christian Howes. Ms. McKenzie is concertmaster of the Santa Barbara Folk Orchestra, and performs in the accordion/violin duo Continental Cafe. She played electric violin in M.O.B. Jazz Ensemble, and regularly concertized with renowned pianist, Betty Oberacker. She has taught music to students of all ages, and is currently the elementary music teacher for the Carpinteria School District. She has worked at UC Santa Barbara as a lecturer and as a music director and music performer in the Theater and Dance Department. She has created a collaborative dance and music improvisation group and has performed in various music styles including classical, jazz, folk, klezmer, and musical theater. She performs on a violin created for her by Michel Eggimann of Rome, Italy.
Erin Bonski, pianist, began her musical journey in Pennsylvania, where she studied with Dr. Tim Shafer at Penn State University while in high school, and became the youngest participant in the Pennsylvania Governor’s School for the Arts. Erin went on to earn her B.M. and M.M. degrees from Bowling Green State University in Ohio, and pursued doctoral studies at the University of California, Santa Barbara. A versatile artist, Erin has served as Staff Continuo player at the Oberlin Baroque Performance Institute, collaborative pianist at the Interlochen Center for the Arts, and as Chorusmaster and Repetiteur for Toledo Opera. Since moving to Santa Barbara, she has collaborated regularly with local arts organizations, including the Santa Barbara Symphony, Opera Santa Barbara, and Ensemble Theatre Company, and has performed internationally, including appearances with the Grammy-winning ensemble Forever Tango. Her academic career includes positions at Santa Barbara City College, the University of California, Santa Barbara, Westmont College and Bowling Green State University, where she has taught piano pedagogy, opera coaching, and piano literature.
Kate Unger, soprano, is a third year computer science student at UCSB. She began singing when she joined the Davis Children’s Choir in first grade, continuing through junior high school. At age 9, she began playing viola, culminating in three years with the Davis High Baroque Ensemble. In addition, she sang with the Davis High School Madrigal Choir where she toured New York, England, and Scotland. She also had the privilege of being in regional and national American Choral Director Association (ACDA) Honor Choirs including in Texas, California, Utah, and Missouri. Currently, Ms. Unger takes lessons from UCSB Professor of Voice Benjamin Brecher and vocal coaching from Dr. John Ballerino.
John Ballerino, pianist, was born in Guadalajara, Mexico and earned his DMA in Collaborative Arts from USC. His principal teachers have included Gwendolyn Koldofsky, Brooks Smith, and Martial Singher, the latter at the Music Academy of the West. An accomplished speaker about and performer of Spanish and Latin American music, he lectures and performs throughout the United States and the Caribbean and has served as Spanish diction coach for productions by the Los Angeles Opera and Los Angeles Master Chorale. Former Chorus Master and Assistant Conductor for Opera Santa Barbara, Dr. Ballerino is currently Continuing Lecturer of Collaborative Arts at UCSB.
The UCSB Chamber Choir is the flagship choral ensemble at UCSB, representing excellence in vocal talent, musicianship, and professionalism. This SATB ensemble focuses on innovative programming including premieres and commissions to inspire a concert experience of exploration and intention. The Chamber Choir enjoys collaborations with professional music organizations throughout the area and goes on annual tours. This ensemble is led by Director of Choral Studies, Brent Wilson.
Brent Wilson is a Los Angeles-based tenor, conductor and stage director, and is the Department Chair of Performing Arts and Director of Voice, Choirs, Opera and Musical Theatre at Ventura College, resident guest director at Viterbo University, and director of choral studies at University of California, Santa Barbara. Locally as a conductor, Wilson served as Assistant Conductor and Chorus Master of Opera Santa Barbara for over twenty productions and conducted productions of The Consul and Don Pasquale. He has appeared as conductor for the UCSB Orchestra and Opera, receiving top prizes for collegiate opera production from the National Opera Association for the production of Twelfth Night.
Wilson has worked with choral groups such as the Grammy-nominated ensemble Boston Baroque, Handel and Haydn Society, Handel Oratorio Society(Chicago), Long Beach Camerata, and Santa Barbara Master Chorale, and opera ensembles including Boston Lyric Opera, Maine Grand Opera, Opera Santa Barbara, Granite State Opera, Chicago Opera Theater, Lyric Opera of Chicago, and Opera Theatre Saint Louis.
This concert has been generously underwritten by the Henry W. Bull Foundation

