Santa Barbara Music Club

Ravel, Bernstein, and Saint-Saëns

Saturday, Feb 24, 2018 3:00 pm

Faulkner Gallery

40 E Anapamu St, Santa Barbara, CA, 93101

Image: Leonard Bernstein, Courtesy of The Leonard Bernstein Office, Inc.

On SATURDAY, FEBRUARY 24 AT 3 PM, the Santa Barbara Music Club will present another program in its popular series of concerts of beautiful Classical music. This concert is presented in partnership with the Santa Barbara Public Library and will be held at the Faulkner Gallery of the Santa Barbara Public Library, 40 E. Anapamu Street. Admission is free.

One of the highlights of Santa Barbara Music Club’s concerts is the opportunity for audiences to hear great music from a variety of historical periods, with a diversity of musical forms, performed by excellent artists. This concert features works by J.S. Bach, Georges Enesco, Maurice Ravel, Leonard Bernstein, and Camille Saint-Saëns.

Program Details

Sonata in B minor, BWV 1030
Johann Sebastian Bach
(1685-1750)
  • Andante
Cantabile y presto
George Enescu
(1881-1955)
Jane Hahn, flute
Christopher Davis, piano
Sonatine
Maurice Ravel
(1875-1937)
Trans. David Walter
  • Modéré
  • Mouvement de menuet
  • Animé
Adelle Rodkey, oboe
Eric Valinsky, piano
Sonata in E-flat major, Op. 167
Camille Saint-Saëns
(1835-1921)
  • Allegretto
  • Allegro animato
  • Lento
  • Molto allegro
Chad Cullins, clarinet
Christopher Davis, piano
A TRIBUTE TO LEONARD BERNSTEIN (1910-1990)
I Hate Music!: A Cycle of Five Kid Songs (1943)
  • My Name is Barbara
  • Jupiter Has Seven Moons
  • I hate Music!
  • A Big Indian and a Little Indian
  • I’m a Person Too
What a Movie!, from Trouble in Tahiti (1951)
I Am Easily Assimilated, from Candide (1956)
Carolyn Kimball Holmquist, soprano
Renée Hamaty, piano

Notes on the Program

Flutist Jane Hahn and pianist Christopher Davis will perform the opening movement, Andante, from J.S. Bach’s Flute Sonata in B Minor, BWV 1030 (1735) and Georges Enesco’s Cantabile y Presto for Flute and Piano (1904). Johann Sebastian Bach (1685-1750) was a German composer and organist whose genius combined outstanding performing musicianship with supreme creative powers in which inventiveness, technical mastery and intellectual control are perfectly balanced. George Enescu (1881-1955), known in France as Georges Enesco, was a Romanian composer, violinist, pianist, conductor, and teacher. He is regarded by many as Romania’s most important musician. Cantabile y Presto begins lyrically and ends brilliantly.

Adelle Rodkey, oboe, and Eric Valinsky, piano, will perform Maurice Ravel’s Sonatine (1903-05). Originally written for piano solo, it has been transcribed and arranged by David Walter. The work is neoclassical in its formal conception, but thoroughly of the early 20th century in his use of whole-tone scales and impressionistic textures. Ravel (1875-1937) was a French composer noted, among other things, for his skill and imagination in instrumental writing.

Soprano Carolyn Kim Holmquist and pianist Reneé Hamaty offer “A Tribute to Leonard Bernstein (1918-1990).” They will perform I Hate Music!: A Cycle of Five Kid Songs (1943), What a Movie, from Trouble in Tahiti (1951), and I Am Easily Assimilated, from Candide (1956). Leonard Bernstein was an American composer, conductor, author, music lecturer, and pianist. He was among the first conductors born and educated in the United States to receive worldwide acclaim. The 100th anniversary of his birth falls in August of this year and the performance of these works celebrates that very important milestone.

Clarinetist Chad Cullins and pianist Christopher Davis will perform Camille Saint-Saëns’ Clarinet Sonata in E-flat Major, Op. 167. Saint-Saëns (1835-1921) was a French composer, organist, conductor and pianist. This work, one of a trio of woodwind sonatas composed in 1921 (the others are for oboe and bassoon), is Mozartian in its clarity of form and texture.

The Performers

Chad Cullins, clarinetist, began studies with Elise Unruh and Nancy Mathison in Santa Barbara and furthered his musical education at Santa Barbara City College and USC, the latter as a pupil of Christie Lundquist, Principal Clarinet of the Utah Symphony. Chad has performed in many Santa Barbara Civic Light Opera productions as well as with the SB Choral Society, SB Oratorio Chorale, Symphony of the Vines, and West Coast Symphony, and his performances with the San Luis Obispo Opera Orchestra exemplified his doubling skills on clarinet, bass clarinet, and flute. A current SBCC student and member of the SBCC Symphony, Chad’s goals include expanding his classical and jazz flute repertoire and performing tenor saxophone as soloist and in jazz ensembles.

Christopher Davis, pianist, has been concerto soloist with several orchestras including the Northwest Arkansas Symphony Orchestra, and has studied with renowned teachers and scholars in Germany, Austria, and Portugal. He earned his BA Degree from UC San Diego, his MM Degree from the University of Arkansas, and his DMA Degree from UCSB. In addition to serving as the Music Academy of the West’s House Manager (2009-2016), Dr. Davis has been on the staff of the Ojai Music Festival and Westmont College (2014-2016), and has worked for Camerata Pacifica, collaborating independently with many of their musicians.

Jane Hahn, singer and flutist, grew up in Santa Barbara, and has studied and performed as a singer and a flutist her whole life. Her modest singing career includes several comprimario roles with Opera Santa Barbara, and she has been the soprano soloist in Handel’s Messiah in Santa Barbara, Ventura and Santa Maria. Jane has directed the women’s vocal ensemble, LUX, as well as choirs at St. Michaels and Trinity Episcopal churches. Jane studied flute at the college level at UCSB, and continues to practice and perform as a freelance musician today, lately branching out into the Jazz genre. Jane is a retired Software Engineer and Project Manager. She and her husband are very proud of their two married sons and their precious grand-daughter. Her hobbies include yoga, pottery, and house-building with her husband.

Renée Hamaty, pianist, has performed worldwide as soloist and collaborative pianist. She majored in music at Occidental College, studying with Aube Tzerko, and has concertized widely as vocal and instrumental accompanist, including collaboration with Leonard Bernstein in West Coast premieres (Candide and Mass) and Stephen Sondheim in Chicago and Los Angeles. For fifteen years she was Music Director and pianist for “Opera & Broadway Under the Stars” concerts at Arts & Letters Cafe in Santa Barbara, and served as vocal faculty pianist for the Music Academy of the West’s 2013 MERIT program. In addition to her active piano collaborating schedule, Renée teaches private piano students of all ages in her Santa Barbara studio.

Carolyn Kimball Holmquist, soprano, graduated from Mt. Holyoke College and has won international acclaim for her concert, film, musical comedy, opera, theatrical, and TV appearances. She has represented the U.S. in the Tchaikovsky International Vocal Competition, toured Central and South America presenting American music for the U.S. State Department, and sang three seasons with the Bellas Artes National Opera. Ms. Holmquist sings in six languages, and has had leading roles in many musicals, including Carousel and The Sound of Music. In addition to numerous TV appearances, she starred in a Gershwin tribute for ABC and had a recurring role on the PBS Series, On Common Ground.

Adelle Rodkey, oboist, received her BM Degree in Music Pedagogy, magna cum laude, from Wheaton Conservatory of Music (Illinois), where she studied oboe with Carl Sonik. A native of Santa Barbara, she was an oboe student of Anne Anderson and a piano student of Lana Bodnar and Marilyn Clemons. Honors accorded her have included the President’s Award from Wheaton College, as well as awards from the Music Teachers National Association and the Pillsbury Foundation. Adelle performs frequently in several orchestras and chamber music ensembles, and is Instructor of Oboe at Westmont College. As a member of the Suzuki Association of the Americas, she maintains a private studio of oboe and piano students.

A native Manhattanite, Eric Valinsky has, for more years than he would like to admit, maintained dual careers in computer systems architecture and music. He was educated at the Oberlin Conservatory of Music and the University of Illinois, finally achieving his DMA in music composition from Columbia University. He studied composition with Walter Aschaffenburg, Salvatore Martirano, Jack Beeson, and Darius Milhaud; piano with Sara Crawford Drogheo and Emil Danenberg; and conducting with Harold Farberman. While living in Los Angeles, he became music director and composer-in-residence for The Storie-Crawford Dance Theatre Ensemble. Returning to New York, he served in a similar capacity for Danny Buraczeski’s Jazzdance, Uris Bahr and Dancers, and The New American Ballet Ensemble as well as composer-in-residence for The Rachel Harms Dance Company, Opera Uptown, and the Dance Department at City College of New York. He is currently Music Director for the American Dance & Music Performance Group and moonlights as founder and partner of Inlineos LLC, a strategic Internet consulting company.


This concert in the Faulkner Gallery is being presented through a partnership with the Santa Barbara Public Library.