Santa Barbara Music Club

Honoring Emil Torick

Saturday, Nov 5, 2016 3:00 pm

Trinity Episcopal Church

1500 State St, Santa Barbara, CA 93101

Image: Emil Torick

On Saturday, November 5 at 3 PM, the Santa Barbara Music Club presents a free concert at Trinity Episcopal Church in Santa Barbara. The concert is co-presented with the Music@Trinity series in partnership with the American Guild of Organists, and is dedicated to the memory of longtime Santa Barbara Music Club board member Emil Torick, who was a dedicated amateur violinist and organist.

The concert will begin with organist Steven Hodson performing Toccatas in E minor, G minor, and C major by Johann Pachelbel and Dieterich Buxtehude’s Toccata in F major, BuxWV 157. Organist Thomas Joyce will be joined by cellist Joanne de Mars in the Sonata for cello and organ in a minor, Op. 60 by Marcel Dupré, and by pianist Christopher Davis in Alexandre Guilmant’s Pastorale, Op. 26 (1870). Joyce will also perform Enrico Bossi’s Étude Symphonique, Op. 78 for solo organ. Joanne de Mars will perform her own For the Sea, for solo cello. Rounding out the program is a performance of Paul Hindemith’s Kleine Kammermusik, Op. 24 for woodwind quintet, with Jane Hahn, flute; Louis Grace, oboe; Per Elmfors, clarinet; Paul Mori, bassoon; and Johann Trujillo, horn.

Program Details

CONCERT IN HONOR OF EMIL TORICK
Toccata No. 9 in E minor
Toccata No. 1 in G minor
Toccata No. 5 in G major
Johann Pachelbel
(1653-1706)
Toccata in F major, Bux WV157
Dieterich Buxtehude
(1637-1707)
Steven Hodson, organ
Sonata in A minor, Op. 60
Marcel Dupré
(1886-1971)
  • Allegro marcato
  • Allegro moderato
  • Allegro ma non troppo
Joanne de Mars, cello; Thomas Joyce, organ
Kleine Kammermusik, Op. 24, No. 2 (1922)
Paul Hindemith
(1895-1963)
  • Lustig. Mässig schnelle Viertel
  • Walzer. Durchweg sehr leise
  • Ruhig und einfach
  • Schnelle Viertel
  • Sehr lebhaft
Jane Hahn, flute; Louis Grace, oboe; Per Elmfors, clarinet
Paul Mori, bassoon; Johann Trujillo, horn
To the Sea (2014)
Joanne de Mars
(b. 1985)
Joanne de Mars, cello
Pastorale, Op. 26
Alexandre Guilmant
(1837-1911)
Thomas Joyce, organ; Christopher Davis, piano
Étude symphonique, Op. 78
Marco Enrico Bossi
(1861-1925)
Thomas Joyce, organ

Notes on the Program

Johann Pachelbel (1653-1706) was a German composer, organist and teacher. During his lifetime, he was best-known as an organ composer, writing over 200 works for the instrument, in a variety of genres. His toccatas are characterized by relatively fast passagework in both hands over sustained pedal notes.

Dieterich Buxtehude (c. 1637-1707) was a Danish or German composer and organist. He is best known as a composer of organ music. Buxtehude’s toccatas are part of a larger group of organ works he called Praeludia. As a rule, they alternate sections in a free, improvisatory and idiomatic keyboard style, with sections in a structured, fugal style. The Toccata in F major, BuxWV 157, is no exception: the first of two sections is in free form, much of it over sustained pedal notes. The second section is a four-voice fugue, the brief subject entering in each voice in descending order. The fugue ends over a tonic pedal.

Marcel Dupré (1886 – 1971) was a French organist, composer, and pedagogue. Composed in 1964, the Sonata for cello and organ in a minor, Op. 60 is the last of Dupré’s chamber works and is dedicated to the cellist Paul Bazelaire, a colleague at the Paris Conservatoire. It is a lyrical, expressive work in three movements.

Félix-Alexandre Guilmant (1837-1911) was a French organist, teacher, composer and editor. Among his many organ students was Marcel Dupré. Composed in 1870 for piano and harmonium, the Pastorale, Op. 26 was later arranged for piano and organ. It is a serene work, with a gently rocking 12/8 rhythm throughout.

Marco Enrico Bossi (1861-1925) was an Italian organist, composer, improvisor, and pedagogue. Bossi’s few completed operas were not particularly successful, but he won lasting respect, mainly in Italy, for his instrumental and choral compositions. Internationally he is remembered largely for his organ pieces. The Étude Symphonique, Op. 78, dedicated to Alexandre Guilmant, is one of his most popular works, calling for a virtuoso display of pedal work from the organist.

Commissioned in 2014, For the Sea is a composition for solo cello by Joanne de Mars (b. 1985). Inspired by the force of the ocean, this piece employs a harmonic and rhythmic interpretation of the physical wave. The slow improvisatory introduction sets the harmonic groundwork for the middle rhythmic section. Here, the rhythms are in random groupings of two and three beat cells to create the feelings of both unpredictability and regularity, as observed in the sea. The return to the opening material at the conclusion of the piece creates an arc, much like the swell of the ocean. For the Sea was premiered in 2015 in collaboration with contemporary ensemble Wild Rumpus. It has been described as beautiful [and] hypnotic … de Mars’ playing is thrilling to watch and hear.” (SF Civic Center Blog)

Paul Hindemith (1895-1963) was a German composer, theorist, teacher, viola player and conductor. Kleine Kammermusik (“little chamber music”) Op. 24 was composed in 1922 and is the second of eight works bearing the name “Kammermusik.” Scored for wind quintet, the work is in five contrasting movements, and is generally lighthearted in mood.

The Performers

Steve Hodson is Professor of Music at Westmont College where his duties have included teaching piano and organ, conducting, and music survey, and leading various singing groups. He conducts the Santa Barbara Master Chorale and serves as organist at First United Methodist Church of Santa Barbara. Hodson holds a Doctor of Musical Arts from the University of Colorado, Boulder. He is Vice-President of the Western Division of the American Choral Directors Association (encompassing California, Hawaii, Nevada, Utah, and Arizona), and past President of California ACDA. He enjoys performing on piano, organ, and harpsichord and is an accomplished accompanist.

Organist Thomas Joyce is Director of Music at Trinity Episcopal Church. Originally from Cambridge, England, Thomas has spent most of his life living in the United States. This past July, he finally became a U.S. citizen.

Mr. Joyce began his musical career as a boy chorister at the Washington National Cathedral, and continued his studies at Interlochen Arts Academy. He later attained degrees in music from Oberlin Conservatory of Music, Yale University, and University of Washington. Before finding his home in Santa Barbara, Thomas worked for several churches and cathedrals throughout the United States as an organist and choral conductor.

In addition to his work as a church musician, he serves on the music faculty at Santa Barbara City College, instructs organ students from Westmont College, and is the keyboard accompanist for Adelfos Ensemble.

Christopher Davis, pianist, has been concerto soloist with several orchestras including the Northwest Arkansas Symphony Orchestra, and has studied with renowned teachers and scholars in Germany, Austria, and Portugal. He earned his BA Degree from UC San Diego, his MM Degree from the University of Arkansas, and his DMA Degree from UCSB. In addition to serving as the Music Academy of the West’s House Manager (2009-2016), Dr. Davis has been on the staff of the Ojai Music Festival and Westmont College (2014-2016), and has worked for Camerata Pacifica, collaborating independently with many of their musicians.

San Francisco Bay area cellist Joanne de Mars is a graduate of the San Francisco Conservatory of Music, where she studied with Jennifer Culp. Originally from Seattle, Joanne graduated from the University of Washington with her BA, BM, and BS. She is a member of the contemporary ensemble Wild Rumpus, and is an active solo and chamber music performer whose collaborations include the UC Berkeley Dance Department and Stanford’s New Ensemble. Joanne has a wide variety of interest in all styles of music. She is currently a member of Oakland based rock band Felsen, and has performed with jazz, pop, classical, and contemporary groups, including Butch Morris’s conduction ensemble, Kanye West, Vertigo Quartet, and Maestro Shajarian, Iranian singer and icon.

Jane Hahn, singer and flutist, grew up in Santa Barbara, and has studied and performed as a singer and a flutist her whole life. Her modest singing career includes several comprimario roles with Opera Santa Barbara, and she has been the soprano soloist in Handel’s Messiah in Santa Barbara, Ventura and Santa Maria. Jane has directed the women’s vocal ensemble, LUX, as well as choirs at St. Michaels and Trinity Episcopal churches. Jane studied flute at the college level at UCSB, and continues to practice and perform as a freelance musician today, lately branching out into the Jazz genre. Jane is a retired Software Engineer and Project Manager. She and her husband are very proud of their two married sons and their precious grand-daughter. Her hobbies include yoga, pottery, and house-building with her husband.

Louis Grace, oboist, began his oboe studies with Lois Wann in the pre-college division of the Manhattan School of Music, and then continued with her in the pre-college division of The Juilliard School of Music. During his college years, he studied with David Weber at Oberlin College, and with Engelbert Brenner, retired English Hornist of the New York Philharmonic. Shortly after he arrived in Santa Barbara, Louis played for several years in the UCSB Symphony. He is currently principal oboist in the SBCC Symphony, and in the West Coast Symphony (Mozart by Candlelight, Santa Barbara July Fourth concert, end-of-Fiesta free concert). Louis holds a Ph.D. in chemistry from the University of Michigan, and he is the lecture demonstration coordinator in the physics department at UCSB.

Per Elmfors, clarinetist, was born in Sweden and earned his PhD in Physics from Chalmers Institute of Technology (Gothenburg, Sweden). An avid chamber musician, his emphasis has been on performing with string and woodwind ensembles. He is currently Principle Clarinet in the SBCC Symphony, and also plays in several chamber music ensembles. Dr. Elmfors moved to Santa Barbara in 2010, and is a Senior Systems Engineer at FLIR Systems.

Paul Mori, bassoon, received his earliest start in music through school music programs here in his native Santa Barbara and continued his musical education at Westmont College. From here, he relocated to Baltimore to study at the Peabody Institute of Johns Hopkins University, earning a master’s degree in bassoon performance with Phillip Kolker and later completing a doctorate in orchestral conducting, studying with the legendary Frederik Prausnitz. He served as music director of orchestras in the Pacific Northwest and Baltimore before returning to Santa Barbara. Currently, he conducts the Santa Barbara Reading Orchestra and is on the music faculty at Westmont College.

Johann Trujillo is a French horn player based in Santa Barbara, performing regularly with local ensembles such as the Santa Barbara Chamber Players, the Santa Barbara City College Symphony and Concert Band, the Ojai Pops Orchestra, and the Bottom-Line Brass. He is also a co-founder of the Los Padres Sound, a horn quartet that performs throughout the region from Goleta to Ojai. Johann studied horn at UC Davis while pursuing a Ph.D. in Electrical Engineering, balancing his love for music with his professional career.


This project is funded in part by the Community Arts Grant Program using funds provided by the City of Santa Barbara in partnership with the Santa Barbara County Arts Commission.